Saturday, September 24, 2011

Opinion-Editorial: Is Junk Food Really Cheaper?

                NY-Times food columnist Mark Bittman tackles a long-standing national problem that is all-too prevalent in the United States: the massive consumption of junk food. In this editorial, “Is Junk Food Really Cheaper?”, Bittman uses predominantly a comparison-contrast rhetorical arrangement, using juxtaposition with different foods and statistics to ultimately point to his purpose: fast-food exists, it’s being consumed at a monstrous rate…BUT there is something people can do about it.
                Bittman, a food writer for 30+ years, begins by establishing that fast-food is neither less expensive nor more filling than supermarket produce, defeating these common misconceptions. He uses primarily logos, citing statistics that display the disparity in prices: McDonald’s for a family will cost $28, whereas roasted chicken with peppers and milk bought at supermarkets costs only about $14. This established both Bittman’s introduction as well as part of his confirmation.
                However, Bittman decides to qualify his previous statement, which may be his own self-refutation. In a sharp CONTRAST, Bittman presents reasons WHY people are at the mercy of “hyper-processed foods”. Bittman appeals to logos and pathos. Logos appears in science: a scientist writes that there is a certain pleasure similar to drug addiction that arises from consuming fast-food. Pathos is certainly present: Bittman writes about the exhaustion people face, about how cooking may be a burden.
                Bittman ends with his conclusion by explaining that a major social/cultural change is required to end the fast-food regime. He uses logos when he explains that tobacco has undergone similar changes, and establishes ethos with his credibility as a food writer and knowledge of several organizations promoting exactly the change he’s looking for.
                Intended for readers of NY-Times, Bittman writes in spatial and causal context. Obesity is both a new and constant issue, rising as one of USA’s top concerns. It thus historically holds as spatial, but he is also writing it in regards to a current problem, as a reaction to the 50%+ Americans who are not JUST overweight but obese, making it causal as well. At the conclusion, Bittman achieved his purpose, having readers think differently about not only fast food but also the troubles surrounding its culture.

Saturday, September 17, 2011

Political Cartoon- Puzzled President

            This political cartoon was published on September 17th, 2011, in the Star Tribune, a newspaper for Minneapolis, Minnesota. This political cartoon was drawn by Steve Sack, a 2004 Pulitzer Prize finalist, the editorial cartoonist since 1981, and recipient of numerous national accolades.


            The purpose of this political cartoon was to make a statement about Democrats’ positions on Obama’s possible second term. This is clearly displayed and fully explained in the puzzle’s message “One Term for Obama”. A defeated-looking, pale, and thin Obama weakly holds up a puzzle piece labeled “jobs” to a corpulent elephant. Dressed in a blue pinstripe suit that sharply contrasts with Obama’s black one, the Democratic elephant accepts it in a bemused and sarcastic manner, promising to see if it “fits” into his agenda. Clearly it doesn’t. In fact, the only “piece” that will fit is a promise of only one term.
            “Puzzled President” was drawn in both causal and spatial context, intended for readers of the Star Tribune. It is causal because presidential elections are in 2012, and many, including the President, are already campaigning. The cartoon is also made in a spatial context because throughout Obama’s term, many Democrats have expressed disapproval of the President.
            The three appeals are also evident. Logos is evident in that Obama’s “jobs” piece will not fit into the puzzle, and that one term is needed instead. Ethos is established with Sack’s knowledge of the “jobs” puzzle piece, which refers to the Jobs Bill that Obama wants to pass in Congress. He also is familiar with the elephant as the Democratic symbol, and is aware of 2012 elections. Pathos is used in portraying a thin and weak Obama, of a sarcastic, fat elephant, and a looming bleach-white puzzle/agenda.
            

Thursday, September 15, 2011

Independent Reading Assignment

Title of Book: Blink: The Power of Thinking Without Thinking
Author: Malcolm Gladwell
Section 1: Introduction to Part One (pg 1-47)
Section 2: Part Two to Part Three (pg 48-98)
Section 3: Part Four to Part Five (pg 99-188)
Section 4: Part Six to Conclusion (pg 189-276)

Ironically enough, I had initially planned to read The Tipping Point, which is another book by Malcolm Gladwell. However, somehow had accidentally signed out the book when I had already done so earlier in the day. Thus, I found the next best thing: Blink. I have always been interested in social psychology and analysis of society; in fact, one of my favorite and most enlightening books is A Whole New Mind, a book that discusses how today's modern society is becoming more "right-brain" oriented. It changed my perspective on how I view the world and also myself (I am left-handed, and generally those who are left handed use the right side of their brain more often). I hope to find Blink in a similar style and content!!

Saturday, September 10, 2011

Article: "Portraits of Resilience": Ali Abbas

        Stories about 9/11 fill the news. Ali Abbas presents a similar tale: but this time of an Iraqi whose life was forever changed by American bombings. Interviewed by TIME’s William Lee Adams in London, Abbas tells of his own 9/11.
            In 2003, Abbas returned home one night to rest. While Abbas was asleep, a bomb detonated nearby. Rushed to a hospital, it was only two weeks later that Abbas realized his family was killed. In his home with his father, brother, mother, and thirteen others, Abbas was the only to survive, his arms amputated because of burns.
            Despite such disabilities, Abbas returned to a normal life, this time in London working towards charity. He notes that “I don’t mind the American people. They are nice…but of course I am angry. Now people…have bombs falling on their houses without any reason.”  
            Written in the context of wartime, his “portrait” in TIME’s “Portraits of Resilience” sheds new light on 9/11, how its consequences affected people beyond USA. Abbas’ primary purpose was to show Americans HIS story, a tragedy on the other side of the war. Intended for those who were blinded as he was with anger against “the other side”, Abbas offers reconciliation. Abbas primarily achieves this through pathos, appealing to emotions of readers as he describes the traumatic bombing, distressing deaths, and then heartwarming recovery. Abbas successfully describes “the other side”, his rhetoric made strongest by his blunt language. There is nothing for him to hide; there is no reason as to why he should not.


Abbas, Ali, and William Lee Adams. "Portraits of Resilience: Ali Abbas." Time Magazine 19 Sept. 2011: 50-51. Print.


Picture Source: http://debra.worldcantwait.net/wp-content/uploads/2011/09/AliAbbas-217x300.jpg